Campers

Leisa Gibbons

Leisa Gibbons

I am a second year PhD student at Monash University. My research is about how to understand online cultural outputs (i.e. anything online) as records of heritage (i.e. institutionalised). I am looking particularly at Youtube as social media and the phenomenon of personal records being public records. I also have a consultancy called Rhizome Digital I started early this year that provides records and information management advice to individuals and not-for-profits. My areas of specialisation are digital records and social media. I have been called a third generation Continuum archivist, which in essence means I have adopted a particular pluralist world view about the role of archives and recordkeeping in society. I feel very strongly about the acknowledgement of the construction of archives and the necessity for transparency and allowing access and ownership for multiple points of view.

My Posts

Evidence of ‘digital’ me/us

August 23rd, 2010 § 3

I am interested in talking about the implications of online social (digital) technologies and how their role as evidence of  the actions of an individual participating within a group as well as in the broader context of online groups and communities.

When I say evidence I mean how the material generated from interaction from social tech is identified as a record – ownership, communication and sharing.  When is this material considered a record and how does the media it is created on impact on it?  What role or place does this information/process have in social history, cultural heritage and institutional collections, if any?

I also wonder about other places of social media where a ‘traditional’ record is being augmented by online interactions – participatory archives, or even just the flickr collection of an archival institution  - what role does the participant have as part of the ever-evolving record (both online and in the institution’s collection)?