When I say evidence I mean how the material generated from interaction from social tech is identified as a record – ownership, communication and sharing.  When is this material considered a record and how does the media it is created on impact on it?  What role or place does this information/process have in social history, cultural heritage and institutional collections, if any?

I also wonder about other places of social media where a ‘traditional’ record is being augmented by online interactions – participatory archives, or even just the flickr collection of an archival institution  - what role does the participant have as part of the ever-evolving record (both online and in the institution’s collection)?